51²è¹Ý

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The current and official versions of the course specifications are available on the web at .
Please consult the web for updates that may occur during the year.

VIS1101 Perspectives in Visual Arts: Movements, Moments and Events

Semester 1, 2021 Online
Short Description: Movements Moments Events
Units : 1
Faculty or Section : Faculty of Business, Education, Law and Arts
School or Department : School of Creative Arts
Student contribution band : 2021 Grandfather Funding Cl 2
ASCED code : 100301 - Fine Arts
Grading basis : Graded

Staffing

Examiner:

Requisites

Enrolment is not permitted in VIS1101 if VSA1000 and VSA2000 has been previously completed.

Rationale

Visual arts students need familiarity with the fundamental historical and contemporary ideas within visual arts dialogues that have defined key movements, moments and events. Familiarity with these ideas underpins the material delivered in subsequent visual art courses, and provide context for professional creative practice. Therefore, aim of this course is to provide students with the foundational knowledge and skills needed to begin to contextualise art practice in terms of historical ideas and contemporary debates. This will underpin the material delivered in subsequent visual art courses, and provide context for professional creative practice. Overall, this course will provide students with the fundamental knowledge required to contextualise artworks in terms of historical and contemporary visual arts perspectives.

Synopsis

This course will present an overview of artists, movements and events in terms of the historical evolution of visual culture and ideas. Students will be taught and develop skill required to research, describe, explain, interpret and reflect on seminal events, histories and artistic developments. Across this course, students will compare a range of art movements and key artists through critical discussion and ongoing conceptual and visual concerns. Students are encouraged to consider how these historical foundations underpin and inform directions in contemporary art practice.

Objectives

On successful completion of this course students should be able to:

  1. Discuss the development of artistic practices and ideas through a range of art movements, moments and significant events;
  2. Express ideas about historical and theoretical perspectives clearly and logically in writing, and articulately support these through a foundational approach to research and analytical discussion;
  3. Apply knowledge of the development of contemporary visual art concepts through a broad engagement with historical and contemporary thought, and establish links between these;
  4. Develop and articulate ideas about key movements, moments and events of historical and contemporary art, based on individual engagement with the course content and self-directed research.

Topics

Description Weighting(%)
1. The development of artistic practices through the early, mid and late 20th Century 25.00
2. Identify and discuss historical and theoretical art perspectives
25.00
3. The influence of historical movements and ideas on the development of Contemporary art

25.00
4. Identify, research and analyse art practice through key movements, moments and events 25.00

Text and materials required to be purchased or accessed

ALL textbooks and materials available to be purchased can be sourced from (unless otherwise stated). (https://omnia.usq.edu.au/textbooks/?year=2021&sem=01&subject1=VIS1101)

Please for alternative purchase options from USQ Bookshop. (https://omnia.usq.edu.au/info/contact/)

Robertson, McDaniel 2016, Themes of Contemporary Art, Visual Art after 1980.
Smith, T 2019, Art to Come, Histories of Contemporary Art.

Reference materials

Reference materials are materials that, if accessed by students, may improve their knowledge and understanding of the material in the course and enrich their learning experience.
Atkins, R 1997, Artspeak: A Guide to Contemporary Ideas, Movements, and Buzzwords, 1945 to the Present, Abbeville Press.
Stiles, K & Selz, P 2012, Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings, Second edn, University of California Press.
Williams, G 2014, How to Write 51²è¹Ý Contemporary Art, Thames & Hudson.
(If you require assistance with writing, this is a good resource.)
Documents of Contemporary Art (Series) , Whitechapel Gallery, 2006 – 2019, MIT Press, Cambridge..
Frieze A to Z of Contemporary Art, Phaidon Press Ltd.
Journals/Magazines:

ARTAND
Eyeline
Art in America
Frieze
Parkett
Elephant
Art Monthly
Australian Art Collector
Australian Art Review
Artlink
Juxtaposed
Monster Children
Cabinet magazine
Un magazine (
Curator (.
pressPLAY: Contemporary Artists in Conversation, 2005, Phaidon Press.
Smith, T Art to Come: Histories of Contemporary Art, Duke University Press.

Student workload expectations

Activity Hours
Assessments 65.00
Lectures or Workshops 30.00
Private Study 70.00

Assessment details

Description Marks out of Wtg (%) Due Date Notes
TO BE ADVISED 100 100 19 Jun 2021

Important assessment information

  1. Attendance requirements:
    On-campus Attendance requirements:
    It is the students' responsibility to attend and participate appropriately in all activities (such as lectures and tutorials) scheduled for them, and to study all material provided to them or required to be accessed by them to maximise their chance of meeting the objectives of the course and to be informed of course-related activities and administration.

    ONL Attendance Requirements:
    There are no attendance requirements for this course. However, it is the students’ responsibility to study all material provided to them or required to be accessed by them to maximise their chance of meeting the objectives of the course and to be informed of course-related activities and administration.


  2. Requirements for students to complete each assessment item satisfactorily:
    To satisfactorily complete an individual assessment item a student must achieve at least 50% of the marks for that item.

  3. Penalties for late submission of required work:
    Students should refer to the Assessment Procedure (point 4.2.4)

  4. Requirements for student to be awarded a passing grade in the course:
    To be assured of receiving a passing grade a student must achieve at least 50% of the total weighted marks available for the course.

  5. Method used to combine assessment results to attain final grade:
    The final grades for students will be assigned on the basis of the aggregate of the weighted marks obtained for each of the summative items for the course.

  6. Examination information:
    There is no examination in this course.

  7. Examination period when Deferred/Supplementary examinations will be held:
    There is no examination in this course, there will be no deferred or supplementary examinations.

  8. University Student Policies:
    Students should read the USQ policies: Definitions, Assessment and Student Academic Misconduct to avoid actions which might contravene University policies and practices. These policies can be found at .

Assessment notes

  1. Referencing in assignments must comply with the Harvard (AGPS) referencing system. This system should be used by students to format details of the information sources they have cited in their work. The Harvard (APGS) style to be used is defined by the USQ library’s referencing guide. This guide can be found at

Date printed 18 June 2021