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The current and official versions of the course specifications are available on the web at .
Please consult the web for updates that may occur during the year.

VIS1402 Artists and their Studio Practice

Semester 2, 2021 Online
Short Description: Artists&their Studio Practice
Units : 1
Faculty or Section : Faculty of Business, Education, Law and Arts
School or Department : School of Creative Arts
Student contribution band : 2021 Grandfather Funding Cl 2
ASCED code : 100301 - Fine Arts
Grading basis : Graded

Staffing

Examiner:

Requisites

Enrolment is not permitted in VIS1402 if VSA2001 has been previously completed.

Rationale

Fundamental knowledge about visual art ideas and processes is essential for both students of art and practising artists. As such, students should learn how to critically engage with, and form an understanding of, artists’ intentions, and how these are realised through process and material. The aim of this course is to provide students with the foundational skills required to critically examine art practices. This knowledge underpins both the ongoing discussion of art and ideas, and the studio practices of individual artists engaged with professional art industries.

Synopsis

This course will examine multifaceted approaches to art practice and aesthetics, positioned within the focus of 20th and 21st century cultural and artistic theories. Students will view and research key artists and the ways in which they articulate conceptual intentions to reach creative outcomes. The knowledge obtained from this course will form the basis for subsequent courses about art and ideas, and provides key information for students engaged in studio-based courses or activity, who will need to become critically reflective of their own work, as practicing artists. This course will also introduce students to discussions about the public reception of artworks, and how works can become a conversation between artist and viewer.

Objectives

On successful completion of this course students should be able to:

  1. Assess individual artistic practices and the concepts and processes which are seminal in the formation of visual outcomes and ethical research;
  2. Apply critical and creative thought processes through the analysis of visual arts practice;
  3. Communicate effectively in a range of modes but especially in writing, particularly by clearly and logically expressing ideas pertaining to aesthetic and conceptual visual arts perspectives and outcomes;
  4. Work independently and be responsible for developing and adapting knowledge to articulate concepts that relate to individual artist analysis.

Topics

Description Weighting(%)
1. Examining key artists – works and processes
25.00
2. How artists talk and write about their art practices
25.00
3. How to discuss and critically analyse art works and processes 25.00
4. Discussing and interpreting artist intention versus viewer reception 25.00

Text and Materials

ALL textbooks and materials available to be purchased can be sourced from (unless otherwise stated). (https://omnia.usq.edu.au/textbooks/?year=2021&sem=02&subject1=VIS1402)

Please for alternative purchase options from USQ Bookshop. (https://omnia.usq.edu.au/info/contact/)

Robertson, McDaniel 2016, Themes of Contemporary Art, Visual Art after 1980.
Smith T, 2019, Art to Come, Histories of Contemporary.

Reference Materials

Reference materials are materials that, if accessed by students, may improve their knowledge and understanding of the material in the course and enrich their learning experience.
Atkins, R 1997, Artspeak: A Guide to Contemporary Ideas, Movements, and Buzzwords, 1945 to the Present, Abbeville Press.
Stiles, K & Selz, P 2012, Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings, Second edn, University of California Press.
Williams, G 2014, How to Write 51²è¹Ý Contemporary Art, Thames & Hudson.
(If you require assistance with writing, this is a good resource.)
Documents of Contemporary Art (Series) , Whitechapel Gallery, 2006 – 2019, MIT Press, Cambridge..
Frieze A to Z of Contemporary Art, Phaidon Press Ltd.
Journals/Magazines:

ARTAND
Eyeline
Art in America
Frieze
Parkett
Elephant
Art Monthly
Australian Art Collector
Australian Art Review
Artlink
Juxtaposed
Monster Children
Cabinet magazine
Un magazine (
Curator (.
pressPLAY: Contemporary Artists in Conversation, 2005, Phaidon Press.
Smith, T Art to Come: Histories of Contemporary Art, Duke University Press.

Student Workload Expectations

Activity Hours
Assessments 65.00
Lectures or Workshops 30.00
Private Study 70.00

Assessment Details

Description Marks out of Wtg (%) Due Date Objectives Assessed Notes
SHORT ANSWER (500 WORDS) 100 20 09 Aug 2021 1,3
ARTIST INTERVIEW (600 WORDS) 100 30 06 Sep 2021 3,4
WRITTEN ESSAY (1250 WORDS) 100 50 22 Oct 2021 2,3,4

Important assessment information

  1. Attendance requirements:
    On-campus Attendance requirements:
    It is the students' responsibility to attend and participate appropriately in all activities (such as lectures and tutorials) scheduled for them, and to study all material provided to them or required to be accessed by them to maximise their chance of meeting the objectives of the course and to be informed of course-related activities and administration.

    ONL Attendance Requirements:
    There are no attendance requirements for this course. However, it is the students’ responsibility to study all material provided to them or required to be accessed by them to maximise their chance of meeting the objectives of the course and to be informed of course-related activities and administration.


  2. Requirements for students to complete each assessment item satisfactorily:
    To satisfactorily complete an individual assessment item a student must achieve at least 50% of the marks for that item.

  3. Penalties for late submission of required work:
    Students should refer to the Assessment Procedure (point 4.2.4)

  4. Requirements for student to be awarded a passing grade in the course:
    To be assured of receiving a passing grade a student must achieve at least 50% of the total weighted marks available for the course.

  5. Method used to combine assessment results to attain final grade:
    To be assured of receiving a passing grade a student must achieve at least 50% of the total weighted marks available for the course.

  6. Examination information:
    There is no examination in this course

  7. Examination period when Deferred/Supplementary examinations will be held:
    Deferred and Supplementary examinations will be held in accordance with the Assessment Procedure .

  8. University Student Policies:
    Students should read the USQ policies: Definitions, Assessment and Student Academic Misconduct to avoid actions which might contravene University policies and practices. These policies can be found at .

Assessment Notes

  1. Referencing in assignments must comply with the Harvard (AGPS) referencing system. This system should be used by students to format details of the information sources they have cited in their work. The Harvard (APGS) style to be used is defined by the USQ library’s referencing guide. This guide can be found at .

Date printed 8 November 2021